Issue Specials

The prose, poetry, and art of SAND 23 are all about coping – from escapism to rituals, dreams, obsessions and prayers. A poet pines for woolly mammoths, obsolete technology and profiteroles. A girl gang drink graveside Jell-o shots. For one grieving narrator, a pet cat proves more of a menace than a comfort. And on the cover, a brilliant bouquet sprouts from unlikely roots. 

Cover artwork by Larissa Fantini, “Para não dizer que não esculpi as flores I,” 2021. Design by Déborah-Loïs Séry.

FEATURING
Chelsea Harlan • Miriam McEwen • Yu Müller • Ernest O. Ògúnyẹmí • Ian Cappelli • Nikitta Adjirakor • E. Briskin • Gurmeet Singh • Adaeze Onwuelo • William Lessard • Yam Gong • James Shea • Dorothy Tse • Jade Riordan • Mehdi Navid • Zahra Rostamian • Katharina Bendixen • Rachel Farmer • Aoife Lynch • Chloé Savoie-Bernard • April Yee • Austin Miles • Shida Bazyar • Ruth Martin • Yvonne • Hon Lai-chu • Jacqueline Leung • Bryana Joy • Kelly Mullins • Maeve McKenna • Vivian I. Trutzl • Lauren Maltas • Taraka Hamada • William Fargason • Sihle Ntuli • Mackenzie Singh • JW Summerisle • Winifred Wong • Keegan Lawler • Panteha Abareshi • Larissa Fantini • Henry Hu • Bridget Moreen Leslie • Lee Miller • Letta Shtohryn • Tabitha Swanson • Awdhesh Tamrakar

SAND 23 Video Preview Read More »

Image: “DNA fragments in agarose gel stained with ethidium bromide” by Rainis Venta is licensed under CC BY-SA 3.0

During the opening webinar of our Poetic Vision series in spring 2021, SAND 19 contributor Kanika Agrawal presented on her ongoing series of poems “Okazaki Fragments,” which adapts language and images from a series of scientific papers on discontinuous strand synthesis during DNA replication, research led by the Japanese molecular biologists Okazaki and Okazaki. Okazaki Fragments (re)constructs Okazaki and Okazaki’s experiences by reading their lives into (or out of) their scientific papers.

A week after the webinar, our Editor in Chief Jake Schneider sat down again with Kanika over Zoom to discuss her work in greater depth. The video below, from our YouTube channel, includes both her original presentation and that subsequent interview, covering such topics as:

  • Emotional relationships with science: threat, passion, eros, and intimacy
  • How both science and poetry approach the unknown
  • The story behind Kanika’s project: the process of discontinuous DNA replication combined with the biographies of the scientists behind it
  • Exploring continuity and discontinuity through poetic forms such as couplets and ghazals
  • The challenges of trying to pursue a career in two disciplines at once

We hope you enjoy it!

You can also find Kanika’s writing prompt, along with those of our other webinar presenters, here.

And some of the poems generated using Kanika’s prompt will be read in the concluding reading of the series on 23 May 2021, also on SAND’s YouTube channel.

Kanika Agrawal on Science and Poetry Read More »

Cut-up letters and words creating a found poem

In March 2021, in line with SAND 22’s theme – deconstruction/reconstruction – we invited our readers and friends to construct a poem entirely from words they found around them – digging for book titles, newspaper headlines, food labels, shopping lists, or anything else – and write a poem of 22 words or less using their findings.  Our favourite entry, by Karen Yuan, won a free copy of SAND. Here it is, along with some of the other entries we particularly enjoyed.

Karen Yuan (winner)

LOVE POEM MADE FROM BTS ARMY TRENDING TWITTER HASHTAGS 

TRANSLATION / WAKE UP / HAVE A SAFE FLIGHT / THANK YOU FOR EVERYTHING / I LOVE YOU

MORE THAN LOVE

Sorcha Collister

A Western Film Subtitles on a Friday Night

Rhythmic clanking fading

Loud hissing

Steam hissing

Men shouting

Gunfire popping

Gunfire continues

Steam hisses

Indistinct shouting

Gunfire

Gunfire popping

Quiet laughing 

Martha West

This poet used words from condiment bottle labels, and even sent us proof!

West 1

Kyle Snyder

museum linen crafted

our finest blue inks

not suitable for our

company varnishes

a textured shape

like hazard

Giorgio Ferretti

“I send in my poem made with words I found on things I dug up from the trash-can. Needless to say – I had a blast! Enjoy!” 

 

Warning trick

to avoid the danger of

crunchy children.

Do not call

sweet land,

but materials immediately.

This is not a toy.

Sebastian Adam

Bee on the wall

laying next to it

under a lampion garland

thinking of the last

party it was lit.

Rosaire Appel

A collage showing the word ALCOHOL on a pink background

Marlene Klann, Tobias Marx, Heike Qualitz

Short text describing the origin of the poem
The poem. It reads: THIS IS POET THIGH GAP / WORDS AREE IN ART CONCEALED / POETRY A LENSE / REALITY THROUGH PERSPECTIVE / AND EVERYTHING RHYMED IN FEVERISH SMILES

Indra J. Adler

Cavitation sign-systems work together like slow horses.

Confessions are folktales. Exile breathes.

Start/Pause

and stand up in the mob town.

Ilias Tsagas

Goldfish Café

Water bottles 50c, Greek coffee, cappuccino,

americanos, and traditional tahini pies.

Take away treats for lockdown breaks in Cyprus.

&

Only 2 persons allowed in each time

Available walk-up window on the side,

keep 2m distance at all times.

Catherine Marshall

“It is constructed from a length of strapping-tape which was on a package I received from the company Anglepoise, who produce lights. All words in the poem are cuts ups and re-pastes of the brand name.”

Agile as glass,

Open season on

sleeping

Pale, ageless

Leaps in spoils

Goes along singing

Cut-up letters and words creating a found poem

De/constructed Poetry Contest Read More »

Image: Still of Viva Padilla from her reading of “xolo. to my lover who can no longer live under capitalism and the farce of democracy of the united states.” in SAND 22.

To supplement our print and digital versions of SAND 22, our contributors have submitted videos of themselves performing some of their works from the issue, which we are posting on our YouTube channel. Some of our editors have also produced videos about the issue’s selections.

A number of these videos came from our SAND 22 “Re/construction” launch event, which took place on 28 February 2021 and is available as a full replay here, while others were released after the launch.

Credits

Lena Blackmon (they/she) is a scientist and a poet. With writing featured in The Offing, Rookie, and the Visible Poetry Project, their work is also part of the anthology, Rookie on Love (Penguin Random House, 2018). They were named a 2018 VONA/Voices fellow and have previously performed with the Stanford Spoken Word Collective. 

Carol Claassen reads from her creative non-fiction piece “How to Kill Your Father” as part of the SAND 22 Virtual Launch Event “Re/construction”. Claassen‘s prose has been noted in The Best American Essays 2011, nominated for a Pushcart Prize, nominated for Best of the Net, awarded The Forge Flash Nonfiction Competition Prize, and is published or forthcoming in The Pinch, The Normal School, Fourth Genre, The Forge Literary Magazine, Pidgeonholes, and 3Elements Review. She is working on a memoir about her relationship with her father while riding out the pandemic in her mother’s basement in Easton, Pennsylvania.

R.M. Fradkin reads from her fiction piece “Giant Pacific” as part of the SAND 22 Virtual Launch Event “Re/construction”. Fradkin studied writing with Amy Hempel and Bret Johnston at Harvard and has had short fiction published in Cherry Tree, Theaker’s Quarterly, Cleaver Magazine, and Tincture Journal, among others. She is also Affiliate Editor of the Alaska Quarterly Review. She is beginning an MFA at the University of Idaho in the fall. For more of Fradkin’s work, visit https://www.rmfradkin.com/.

Erin Honeycutt reads from her poem “Extracts from ‘The Contingency'” as part of the SAND 22 Virtual Launch Event “Re/construction”. Honeycutt writes poetry, exhibition reviews, and a variety of texts in collaboration with artists. She has read text at Kadett (Amsterdam, 2019), IÐNO Theater (Reykjavik, 2019), FotoTallinn (Tallinn, 2019), Dzialdov Gallery (Berlin, 2019), Reykjavik Arts Festival (2018), DA Space (Heraklion, 2018), Beyond Human Impulses (Athens, 2018), and Pólar Festival (Stöðvarfjörður, 2017). She has an MA in Art History from the University of Iceland and one in Religion from the University of Amsterdam, and now lives in Berlin. For more of Honeycutt’s work, visit http://erinhoneycutt.persona.co/.

Viva Padilla reads her poem “xolo. to my lover who can no longer live under capitalism and the farce of democracy of the united states.” in the original Spanish, and her translation in English, as part of the SAND 22 Virtual Launch Event “Re/construction”. Padilla is a bilingual poet and writer from South Central Los Angeles. She’s the founding editor in chief of Dryland, an independent and grassroots print literary journal. Padilla’s work has been featured or is forthcoming in the L.A. Times, The Acentos Review, Cultural Weekly, wearemitú, and Every. Thing. Changes., an art exhibition by the L.A. Forum for Architecture and Urban Design. Padilla is a first-generation Chicana. She dedicates her work to the memory of her father and the sacrifice made by both of her parents. For more of Padilla’s work, visit vivapadilla.com/ .

Ayesha Raees shares her poem “Smothering a Mothering” in this beautiful visual form in celebration of the release of SAND 22. Raees identifies herself as a hybrid creating hybrid poetry through hybrid forms. She currently serves as an Assistant Poetry Editor at AAWW’s The Margins and has received fellowships from Asian American Writers’ Workshop, Brooklyn Poets, and Kundiman. From Lahore, Pakistan, Raees is a graduate of Bennington College, and currently lives in New York City. For more of Raee’s work, visit ayesharaees.com .

SAND 22 Video Features Read More »

SAND 22 Launch Event promotional image

Completing our year of archaeology, SAND 22 feels its way through the junk, keepsakes, and spaces we leave behind. Making sense of the past means both taking it apart and putting it back together. In the prose, poetry, and art of SAND 22, our pasts and presents prove surprisingly malleable.

Clutter dug out of a childhood home is recast into invaluable relics. A photograph’s absence becomes more poignant than its subject. Meanwhile, a scientist and his octopoid muse compose a counterpoint of sensory observations, and, on the outskirts of Berlin, an island brazenly invents its history with an ostentation of peacocks and uncomfortable desires.

To celebrate all of this & more,on Sunday, 28 February 2021 we held a virtual evening of selected performances from the new issue, streamed live via our YouTube channel. You can watch a replay of the event here.

SAND 22 Virtual Launch Event Trailer

Lineup

The event featured short readings by eight of our SAND 22 contributors as well as appearances by members of the SAND team.

Readers: Claire Dodd, Viva Padilla, Dorsía Smith Silva, Carol Claassen, Tariro Ndoro, Rushika Wick, Erin Honeycutt, and R.M. Fradkin

  • Claire Dodd‘s work has been published in The Rumpus and Columbia Journal (online) and awarded an honorable mention in Glimmer Train’s 2019 Short Story Award for New Writers contest. She received a BA in English from the University of Michigan, Ann Arbor. She currently lives in San Francisco with her partner and son.  → Read a story of hers here at the Columbia Journal.
  • Viva Padilla is a bilingual poet and writer from South Central Los Angeles. She’s the founding editor in chief of Dryland, an independent and grassroots print literary journal. Viva’s work has been featured or is forthcoming in the L.A. Times, The Acentos Review, Cultural Weekly, wearemitú, and Every. Thing. Changes., an art exhibition by the L.A. Forum for Architecture and Urban Design. Viva is a first-generation Chicana. She dedicates her work to the memory of her father and the sacrifice made by both of her parents.
  • Dorsia Smith Silva is a Professor of English at the University of Puerto Rico, Río Piedras. Her poetry has been published or is forthcoming in Portland Review, Stoneboat, Storyscape, Pidgeonholes, Eclectica Magazine, and elsewhere. She is also the editor of Latina/Chicana Mothering and the co-editor of six books. She is currently finishing her first poetry book. → Read a poem of hers here at the Superstition Review with audio from the poet.
  • Carol Claassen‘s prose has been noted in The Best American Essays 2011, nominated for a Pushcart Prize, nominated for Best of the Net, awarded The Forge Flash Nonfiction Competition Prize, and is published or forthcoming in The Pinch, The Normal School, Fourth Genre, The Forge Literary Magazine, Pidgeonholes, and 3Elements Review. She is working on a memoir about her relationship with her father while riding out the pandemic in her mother’s basement in Easton, Pennsylvania.
  • Tariro Ndoro is a Zimbabwean writer. Her short fiction has appeared on various literary platforms, including Moving On and Other Zimbabwean Stories (amabooks, 2017), La Shamba, New Contrast, Fireside Fiction, and Hotel Africa: New Short Fiction from Africa (New International- ist Publications, 2020). Her award-winning debut poetry collection, Agringada: Like a gringa, like a foreigner was published in 2019 by ModjajiBooks. Tariro resides in Harare, where she is currently working on a collection of short stories.
  • Rushika Wick is a poet with an interest in visual poetry and how social contracts impact the body. She has contributed to various magazines including Ambit, Datableed, and Tentacular as well as anthologies including SMEAR (Andrews McMeel, 2020) and MIR16. Her debut collection is being published by Verve next spring. → Read one of her works of visual poetry here at Tentacular.
  • Erin Honeycutt writes poetry, exhibition reviews, and a variety of texts in collaboration with artists. She has read text at Kadett (Amsterdam, 2019), IÐNO Theater (Reykjavik, 2019), FotoTallinn (Tallinn, 2019), Dzialdov Gallery (Berlin, 2019), Reykjavik Arts Festival (2018), DA Space (Heraklion, 2018), Beyond Human Impulses (Athens, 2018), and Pólar Festival (Stöðvarfjörður, 2017). She has an MA in Art History from the University of Iceland and one in Religion from the University of Amsterdam, and now lives in Berlin.
  • R.M. Fradkin studied writing with Amy Hempel and Bret Johnston at Harvard and has had short fiction published in Cherry Tree, Theaker’s Quarterly, Cleaver Magazine, and Tincture Journal, among others. She is also Affiliate Editor of the Alaska Quarterly Review. She is beginning an MFA at the University of Idaho in the fall.

SAND 22 Virtual Launch Event Read More »

Image from the Midas series by Wojciech Feć, featured in SAND 22

 

Grace Adeyemi is a London-based poet, of Nigerian heritage, who shares stories about loss, identity, and love. She is an alumna of RE-WRITE London and working on a poetry pamphlet which explores growing up British Nigerian. Her poem “Saturdays” was shortlisted for The A3 Review and Press July contest.

Katrina Agbayani is currently studying English Literature. Her work appears in the UC Review, Trinity Review, and has been awarded the OECTA Young Authors Prize. When not writing, she can be found biking by unnamed fields.

Alex Aldred (he/him) lives and writes in Edinburgh, Scotland, where he is currently studying towards his PhD in creative writing. You can find out more about his work by visiting his site, alexaldred.co.uk, finding him on twitter @itsmealexaldred, or by summoning him to speak with you in person, provided you have access to the necessary runes.

Rosaire Appel’s work explores intercon- nections among reading, looking and listening. The vehicle for her exploration is drawing. She creates graphic novellas, abstract comics, asemic writing and asemic music. Her work has been included in many international publications and is featured in Peter Schwenger’s scholarly study Asemic: The Art of Writing (2019). She lives in New York and takes many pictures.

Frankie Barnet is the author of An Indoor Kind of Girl (Metatron Press, 2016). Her stories have been published in places such as PRISM International, Event Magazine, Wash- ington Square Review, and the Best Canadian Stories Anthology of both 2016 and 2019 (Oberon Press).

Julie Beugin is a Canadian artist, based in Berlin since 2009, who works in abstract painting as well as photographic collage. In her photo- graphic collages, which are also a source for her abstract paintings, she transforms the routine pathways and quotidian architecture of Berlin into unexpected alignments. She completed her MFA in 2008 at Concordia University in Montréal, and her BFA at Emily Carr University in Vancouver in 2004. She has exhibited across Canada as well as in Berlin, and is represented by VivianeArt in Calgary and Paul Petro Contemporary Art in Toronto.

Lena Blackmon (they/she) is a scientist and a poet. With writing featured in The Offing, Rookie, and The Visible Poetry Project, their work is also part of the anthology, Rookie on Love (Penguin Random House, 2018). They were named a 2018 VONA/Voices fellow and have previously performed with the Stanford Spoken Word Collective.

Micheal Chang (they/them) was awarded the Kundiman Scholarship at the Miami Writers Institute in addition to fellowships from Lambda Literary, Lighthouse Writers Workshop, Brooklyn Poets, and the Martha’s Vineyard Institute of Creative Writing. Their writing has appeared in The Cincinnati Review,  The  Summerset Review, Vassar Review, the minnesota review, Santa Clara Review, Ninth Letter, Hobart, Harpur Palate, Poet Lore, The Nervous Breakdown, and more. A finalist in contests at BOMB, Night-Block, and many others, their poems have been nominated for Best of the Net. Their collection <golden fleece> was a finalist for the Iowa Review Award in Poetry.

Carol Claassen‘s prose has been noted in The Best American Essays 2011, nominated for a Pushcart Prize, nominated for Best of the Net, awarded The Forge Flash Nonfiction Competition Prize, and is published or forthcoming in The Pinch, The Normal School, Fourth Genre, The Forge Literary Magazine, Pidgeonholes, and 3Elements Review. She is working on a memoir about her relationship with her father while riding out the pandemic in her mother’s basement in Easton, Pennsylvania.

Elisa Crawley is an immigrant, teacher, poet, and writer. She was selected both in 2019 and 2020 to be a part of the Boston Mayor’s Poetry Program by Boston Poet Laureate Porsha Olayiwola. Her work can be found in Fathom, Sojourners, and Boston City Hall.

Kat Dixon-Ward is a poet and mental healthcare assistant based in London. She has written for various platforms including TORCH, The Wilfred Owen Association Journal and Indus- try Magazine. Her plays have been performed in Oxford at the BT Studio and North Wall Thea- tre, and in Edinburgh at Bedlam Theatre.

Claire Dodd‘s work has been published in The Rumpus and Columbia Journal (online) and awarded an honorable mention in Glimmer Train’s 2019 Short Story Award for New Writers contest. She received a BA in English from the University of Michigan, Ann Arbor. She currently lives in San Francisco with her partner and son.

Wojciech Feć is a London-based interdisci- plinary artist working across photography and new media. His work is investigative and research-driven, dealing with the parascientific, unexplained, and magical.

R.M. Fradkin studied writing with Amy Hempel and Bret Johnston at Harvard and has had short fiction published in Cherry Tree, Theak- er’s Quarterly, Cleaver Magazine, and Tincture Journal, among others. She is also Affiliate Editor of the Alaska Quarterly Review. She is beginning an MFA at the University of Idaho in the fall.

Sherese Francis is a NYC-based, Afro- Caribbean-American poet, editor, interdisciplinary artist, workshop facilitator, and literary curator of the project, J. Expressions. She has published work in various publications including Furious Flower, Obsidian Lit, The Operating System, Apex Magazine, and African Voices. Additionally, she has published two chapbooks, Lucy’s Bone Scrolls and Variations on Sett/ling Seed/ling, and has another one on the way from DoubleCross Press titled Recycling a Why That Rules Over My Sacred Sight. futuristicallyancient.com

Joanna Garmon is an emerging artist from Boston, Massachusetts, currently living and working in Berlin. She has completed programs at the New York Academy of Art, Rhode Island School of Design, and received her BFA at the Lesley University College of Art and Design. Upon her relocation to Berlin in 2019, her practice has shifted from a basis of painting to a broader range of mediums, including performative sculpture and installation. Her work centers around the body, obsession, labor, language, and futility. Joanna has exhibited at various galleries in Boston and Berlin.

Fee Griffin studied Creative Writing at the University of Lincoln, where she continues to serve as a Senior Poetry Editor for The Lincoln Review. She is the winner of the inaugural Amsterdam Open Book Prize and her first collec- tion, For Work/For TV, was published by Versal Editions in late 2020. Fee has poetry and other writing published or forthcoming in Poetry London, Hotel, Streetcake, The Abandoned Playground, Channel, and in anthology with Dunlin Press (Port, 2019).

David Hanes (b. 1987) is a Canadian/American visual artist who is living and working in Berlin, Germany. Often working in series, Hanes works with a mixture of enthusiasm and unease as he confronts questions of technological and spiritual consequence in the present moment. The digital age has radically altered how we consume and learn about art, and Hanes negotiates and empathizes with these issues of digital dualism.

Melanie Hoffert is the author of Prairie Silence (Beacon Press, 2014), recipient of the Minnesota Book Award in Memoir and Creative Non-Fiction. She has been published in several literary journals, including Orion, Ascent, Fugue, and The UTNE Reader. The Baltimore Re- view and New Millennium Writings each selected her work as the recipient of their CNF Writing Award. Melanie currently splits her time between her home in Minneapolis and her cabin in rural Minnesota, where she is finishing a memoir called Water Land. melaniehoffert.com

Erin Honeycutt writes poetry, exhibition reviews, and a variety of texts in collaboration with artists. She has read text at Kadett (Amster- dam, 2019), IÐNO Theater (Reykjavik, 2019), FotoTallinn (Tallinn, 2019), Dzialdov Gallery (Berlin, 2019), Reykjavik Arts Festival (2018), DA Space (Heraklion, 2018), Beyond Human Impulses (Athens, 2018), and Pólar Festival (Stöðvarfjörður, 2017). She has an MA in Art History from the University of Iceland and one in Religion from the University of Amsterdam, and now lives in Berlin.

Birhan Keskin was born in Kırklareli, Turkey. She graduated from Istanbul University in 1986 with a degree in sociology. From 1995 to 1998 she was joint editor of the small magazine Göçebe. She has since worked as an editor for a number of prominent publishing houses in Istanbul. Her books include: Delilirikler (1991), Bakarsın Üzgün Dönerim (1994), Cinayet Kısı + Iki Mektup (1996), Yirmi Lak Tablet + Yolcunun Siyah Bavulu (1999), and Yeryüzü Halleri (2002). These five books were collected by Metis Publish- ing into Kim Bagıslayacak Beni (2005). Metis published four further collections, Ba (2005), Y’ol (2006), Soguk Kazı (2010), and Fakir Kene (2016). Birhan Keskin was the 2005 winner of Turkey’s prestigious Golden Orange Award for Ba. Soguk Kazı won the Metin Altıok poetry prize in 2016.

Yongjae Kim is a Brooklyn-based artist. His works have been exhibited at Volta NY 2017, Sotheby’s Institute of Art, George Billis Gallery in NY, Muriel Guépin Gallery in NY, Galerie Mokum, Netherland; and Attleboro Arts Museum among others. His paintings were selected for First Place Award at the international art exhibition “City” in Art Room gallery in 2018, and Best Color Work Award from Korea Society of Color Studies in 2014. Kim attended Joshua Tree Highland Artists Residency Program in 2013. He is currently a member of the Elizabeth Foundation for the Arts Studio Program in New York.

Neysa King is a poet and essayist whose work has appeared in Chaleur Magazine, Slippery Elm, San Antonio Review and others. She was a finalist for the 2019 Princemere Prize in Poetry and the recipient of the 2020 San Antonio Writers Guild Prize in Poetry.

Inna Krasnoper is an artist and poet born in Ufa, Russia. She has lived in Berlin since 2011. Inna received a BA in Dance, Context, Choreography at the Inter-University Centre for Dance (UdK Berlin). Inna is part of the fol- lowing collectives and projects: “Space-in-g”, “[In]exhaustible resource”, “On transitions”, “Seven States of Matter”, “Three Julietttes”, “in other words”. She works with text and transla- tion in between Russian and English languages. Inna has published in stadtsprachen magazin, This Container 07, Slanted House, and Bridge. Poems in Russian were published in [Translit] Journal, F-writing, Articulation project, almanac- fire, and Nosorog Journal.

Jennifer Kronovet is the author of two books of poetry, most recently The Wug Test (Ecco, 2016). She is also the co-translator of two books, including Empty Chairs (Graywolf Press, 2015), the selected poems of Chinese art- ist Liu Xia. She edits Circumference Books, a new press for poetry in translation.

Nathaniel LaCelle-Peterson is a reader and writer living in Berlin. He is an editor at the FU Review and at Eachother Journal.

Minjung Lee is a South Korean artist, cur- rently lives and works in Brooklyn, NY. Trained as a sculptor, she employs drawn surface as a sculp- tural medium to measure the distance between the mind and the physical world. Lee received her MFA in Sculpture from Slade School of Fine Art in London, and her BFA in Sculpture from Seoul National University in Seoul. Her works have been shown at venues including Alternative Space Noon, CICA Museum, Cube Space and Space Mass in South Korea; Joshua Tree Gallery, CA and Attleboro Arts Museum, MA, USA, among others.

Jess Mc Kinney is a writer from Inishowen, Co. Donegal in Ireland. She is currently studying her MA in Poetry at Queen’s University Belfast. Her work has appeared in The Stinging Fly, Ban- shee, Abridged, and Poethead. She was awarded the Irish Chair of Poetry Student Award 2020.

Siofra McSherry was born in Newry, Northern Ireland. She completed her PhD in American Literature at the Freie Universität Berlin and previously studied at UCL and Oxford. Síofra has published poems in anthologies including Birds: An Anthology (Bodleian Library, 2020), Sylvia is Missing (Flarestack, 2012), The Salt Book of Younger Poets (Salt, 2011), and journals including Poetry Wales, Poems in Which, Foam:e, Abraxas, and Hysteria. Her pamphlet Requiem (The Emma Press, 2019) was the Poetry Book Society 2020 Spring Pamphlet choice.

Londeka Mdluli is from the Mpumalanga province in South Africa, and is of dual national- ity – born in South Africa, she does not shy away from her Zimbabwean heritage. She incredibly enjoys the act of writing.

Neha Mulay is an Australian-Indian writer and a current MFA candidate in poetry at New York University. Her poems have appeared/ are forthcoming in Black Warrior Review, The Maine Review, and Coffin Bell Journal, among other publications. Her essays have appeared in Overland Literary Journal (online) and Feminartsy. She is the Managing Editor of Honeysuckle Magazine.

Stella N’Djoku is a Swiss poet, journalist, and educator of Italian and Congolese heritage. Poems from her first collection, Il tempo di una cometa (Ensemble, 2019), have been published in online literary journals and in the anthology Abitare la parola: Poeti nati negli anni Novanta (Ladolfi, 2019). In the wake of the Covid-19 outbreak, she contributed two new poems to the anthology Dal sottovuoto: Poesie assetate d’aria (Samuele, 2020), forthcoming in English translation in Heart of Hearts Journal.

Nora Nadjarian is an award-winning poet and writer from Cyprus. She has had poetry and short fiction published internationally. Her work was included in various anthologies, among others, in Best European Fiction 2011 (Dalkey Archive Press), Being Human (Bloodaxe Books, 2011) and Europa 28 (Comma Press, 2020). Her latest book is the collection of short stories Selfie (Roman Books, 2017).

Tariro Ndoro is a Zimbabwean writer. Her short fiction has appeared on various literary platforms, including Moving On and Other Zimba- bwean Stories (amabooks, 2017), La Shamba, New Contrast, Fireside Fiction, and Hotel Africa: New Short Fiction from Africa (New International- ist Publications, 2020). Her award-winning debut poetry collection, Agringada: Like a gringa, like a foreigner was published in 2019 by ModjajiBooks. Tariro resides in Harare, where she is currently working on a collection of short stories.

Viva Padilla is a bilingual poet and writer from South Central Los Angeles. She’s the founding editor in chief of Dryland, an independent and grassroots print literary journal. Viva’s work has been featured or is forthcoming in the L.A. Times, The Acentos Review, Cultural Weekly, wearemitú, and Every. Thing. Changes., an art exhibition by the L.A. Forum for Architecture and Urban Design. Viva is a first-generation Chicana. She dedicates her work to the memory of her father and the sacrifice made by both of her parents.

Ann Pedone graduated from Bard College with a degree in English Literature and has a Master’s Degree in Chinese Language and Literature from UC Berkeley. She is the author of the chapbooks The Bird Happened (Leave Books), perhaps there is a sky we don’t know: a re-imagining of sappho (Cup and Dagger Press), DREAM/WORK and Everywhere You Put Your Mouth (Halas Press). Her work is featured in Narrative Magazine, Abramelin, Big City Lit, Con- temporary Verse 2, The Phare, West Trade Re- view, The Open Page Literary Journal, Slipstream, The French Literary Review, and The Shore.

Julia Anastasia Pelosi-Thorpe translates into English and into XML (TEI). Her translations of Italian and Latin poetry are published/forthcoming in the Journal of Italian Translation, Griffith Review, Asymptote, the Los Angeles Review, Oberon Poetry, the Australian Multilingual Writing Project, and more. She can be found @jpelosithorpe

Ela Przybylo (she/her/ona) is a Polish-Canadian queer nonbinary writer. She is Assistant Professor in English and Women’s, Gender, and Sexuality Studies at Illinois State University, the author of Asexual Erotics: Intimate Readings of Compulsory Sexuality (Ohio State University Press, 2019) and editor of On the Politics of Ugliness (Palgrave, 2018), as well as many other peer-reviewed publications including in such journals as Feminist Formations, GLQ, and Radical Teacher. Her creative writing has been published in Entropy as part of the “Name Tags” series, in Canadian Woman Studies, and is forth- coming with Borderlands: Texas Poetry Review. 

Ayesha Raees identifies herself as a hybrid creating hybrid poetry through hybrid forms. Raees currently serves as an Assistant Poetry Editor at AAWW’s The Margins and has received fellowships from Asian American Writers’ Workshop, Brooklyn Poets, and Kundiman. From Lahore, Pakistan, Raees is a graduate of Ben- nington College, and currently lives in New York City. ayesharaees.com

henry 7. reneau, jr. writes words of con- flagration to awaken the world ablaze, an inferno of free verse illuminated by his affinity for disobedience, like a discharged bullet that commits a felony every day, the spontaneous combustion that blazes from his heart, phoenix-fluxed red and gold, exploding through change is gonna come to implement the fire next time. He is the author of the poetry collection freedomland blues (Transcendent Zero Press, 2014) and the e-chapbook physiography of the fittest (Kind of a Hurricane Press, 2014). Additionally, he has self-published a chapbook entitled 13hirteen Levels of Resistance, and his collection The Book Of Blue(s): Tryin’ To Make A Dollar Outta’ Fifteen Cents, was a finalist for the 2018 Digging Press Chapbook Series. His work has also been nomi- nated multiple times for the Pushcart Prize and the Best of the Net.

Ella Schoefer-Wulf (MFA) is a writer and artist based in Berlin. Her work is a primarily linguistic inquiry into the relationship between language and the body through visual art, performance, and digital media. Specifically, she considers occurrences and their documentation, the visceral aspects of concepts, and parameters across media that direct or restrict gestures. She has lectured, performed and exhibited her work in the USA and Germany, and she has curated numerous exhibits in the San Francisco Bay Area and Berlin.

Dorsia Smith Silva is a Professor of English at the University of Puerto Rico, Río Piedras. Her poetry has been published or is forthcoming in Portland Review, Stoneboat, Storyscape, Pidg- eonholes, Eclectica Magazine, and elsewhere. She is also the editor of Latina/Chicana Mothering and the co-editor of six books. She is currently finishing her first poetry book.

Bayley Sprowl will get rid of your ghosts. Loosely based in Los Angeles, California, she’s a resident poet in that she’s always writing at your place. Her work appears in pioneertown and Frontier Poetry’s New Voices. Bayley believes in chemistry and favors the elements: soil, water, breath, and heat. Find Bayley at the closest ocean or your local farmers’ market where you’ll catch her making mountains out of molehills and vice versa. Rare bird. Plays the fool. Preoccupied with stars. Bayley’s got a lot of layers – don’t be surprised if her jacket ends up in your car.

Ilias Tsagas is a Greek poet living in London. He is a member of two poetry groups (Greenwich Stanza and Lowercase Poets) and writes poetry in English and in Greek.

Ojo Taiye is a young Nigerian who uses poetry as a handy tool to hide his frustration with society.

Öykü Tekten is a poet, translator, and editor living between Granada and New York. She is a founding member of Pinsapo, an art and publish- ing experience with a particular focus on work in and about translation. She also pursues a PhD degree in English at the Graduate Center, CUNY.

Rushika Wick is a poet with an interest in visual poetry and how social contracts im- pact the body. She has contributed to various magazines including Ambit, Datableed, and Tentacular as well as anthologies including SMEAR (Andrews McMeel, 2020) and MIR16. Her debut collection is being published by Verve next spring.

Jim Young is an old poet living in The Mumbles, Gower, Wales, UK. He does most of his writing in his beach hut at Rotherslade Bay, on the Gower.

SAND 22 Contributor Bios Read More »

In a video feature for the virtual Lyrikmarkt (poetry fair) at the 2020 poesiefestival berlin, our poetry editors Crista Siglin and Emma Lawson discussed the poetry of SAND 21 during the first months of the coronavirus pandemic, exploring the subjectivity of time and how our daily experience changes our readings of poems.

Poems discussed from the issue:

  • “Entreaty to the rattlesnake population of Griffith Park” by Waverly SM (featured here on Instagram)
  • “Essay on Causation” by Adele Elise Williams (from SAND 20)
  • “Experimental Prayer” by Ari Feld
  • “White Money” by Hsien Min Toh
  • “Black Pepper Greens” by Lizzy Yarwood
  • “Housefitting: threshold” by David Felix (featured as a video collage on our Youtube channel)

Poetry in SAND 21 Read More »

SAND turns 10 this year, and we’ve got archaeology on the mind – from the origins of our journal, to the complex layers of our home city, Berlin, to the ways histories are mapped on our bodies.

The fiction, art, and poetry of our forthcoming issue examine aspects of the present that usually go unpreserved. How does it feel to be in our skin, in this place, at this time?

From 29 to 31 June 2020, SAND held a live-streamed weekend of readings, art explorations, musical performances, panel discussions, interactive sessions and more to celebrate the publication of SAND #21 and our 10-year anniversary.

Trailer featuring Paulina Domínguez’s animation of Vikram Ramakrishnan as well as readings by Rukmini Kalamangalam, Lizzy Yarwood, billy cancel, and SJ Fowler. Incorporating a clip from Claudio Herr’s opera Aquaria Palaoa.

If you missed the festival, you can still watch replays of the sessions on YouTube.

Programme

Friday, 29 May

SESSION ONE

Our first session kicking off the weekend includes three of the highlights from our event trailer above – the animated version of Vikram Ramakrishnan’s dystopian parable, Lizzy Yarwood’s experimental prose piece set in a Berlin public pool, and SJ Fowler’s poetic world tour of (teddy) bear species – as well as a studio tour with our cover artist, Morgan Stokes, and music by the acoustic duo flora falls

Welcome with Editor in Chief, Jake Schneider

Readings by Charlotte Wührer, Rachel Karyo, SJ Fowler, Kyle Snyder, Vikram Ramakrishnan, Natalie Crick, Lizzy Yarwood, Thomas Mixon

Art by Megan Archer and Morgan Stokes

Music by flora falls

 

Saturday, 30 May

SESSION TWO

In Saturday’s session, the German writer-translator Lucy Jones reads her translation of the German actor and columnist Mateja Meded’s polemic on the experiences of people of color in Germany. Look forward to Dženana Vucic’s “Vagina Guinusia,” an intimate story about a sea crab; Waverly SM’s venomous rattlesnake poem; a lyrical poem by our trailer’s Rukmini Kalamangalam; and more.

Readings by Dženana Vucic, Gboyega Odubanjo, David Felix, Lucy Jones, Brad Garber, Waverly SM, Larry Brown, Rukmini Kalamangalam

Art by Carrie Crow and Siru Wen

 

PANEL: “How to Build a SAND Castle: Ten Years’ Tides of Literary Organizing”

with past and present editors of SAND, including our founding editor, Becky L. Crook

We look back on ten years of our journal with a few of the nearly eighty alumni who have built and shaped our publishing project and kept it going for a decade on a shoestring budget. What have we learned along the way? How has the literary and artistic landscape evolved since 2010?

With Jake Schneider, current Editor in Chief; Simone O’Donovan, current Managing Editor; Lyz Pfister, former Editor in Chief; Greg Nissan, former Poetry Editor; and Becky L. Crook, our founder.

 

 Sunday, 31 May

SESSION THREE 

Rounding out the weekend, we have performances plus discussions with current editors and contributors. 

We began with a reading by the mysterious billy cancel in a mask – a suddenly more familiar garment. Many of the other presenters engage with our new issue’s theme of archaeology, including Jeff Gu’s piece about editorial intervention in queer history, Zophia McDougal’s Ancient Roman anecdote, and Sinejan Buchina’s art (from the trailer), which offers residues of the past rearranged into messages for the present and reminds us “how we leave our marks behind.” Finally, Landers’ experimental folk rock brought us back into the here and now.

Readings by Jeff Gu, billy cancel, Jessica Robinson, Andrew Wells, Courtney Garvey, Scott Strom, Robin Gow, Zophia McDougal, JM Parker

Art by Javier Lozano, Casper Cammeraat, Sinejan Buchina

Music by Landers

 

FEATURE: Live Encounters: Contributors in Conversation with their Editors, and SAND Editors Answer Writers’ Questions”

Our final session of the festival featured current editors in conversation with contributors for SAND #21. Our editors also answered writers’ questions.

Poet Rukmini Kalamangalam speaks with Poetry Editor Crista Siglin about motherhood, migration, and what the reader brings to the poem. Art Editor Ruhi Amin and SAND #21 cover artist Morgan Stokes discussed the value of print publishing for visual artists. Prose Editors Ashley Moore and Melissa Richer conversed with Mexican author Karla Marrufo Huchim and literary translator Allison A. deFreese about experimental fiction, taking risks with narrative points of view, and the importance of literary translation.

This was followed by a Q&A in which our editors answered questions that authors, poets, and artists sent in before the festival.

 

Cover image by Morgan Stokes. Previews of works from SAND #21 by Megan Archer, Sinejan Buchina, Becky L. Crook, David Felix, Kyriaki Goni, Jeff Gu, Rachel Karyo, Celestine Krier, Fabrice Le Nezet, Karla Marrufo Huchim tr. Allison A. Defreese, Momtaza Mehri, and Vikram Ramakrishnan.

In SAND #21, archaeology is the study of context. It’s not just about digging up the past, but about reimagining the vanished context it came from, a day-to-day landscape in which the world made a different kind of sense. In Jeff Gu’s “The Grieving Emperor”, an editor puts a red pen to a Roman love story to highlight queer erasure in history. Zophia McDougal humanizes the same empire’s abstract units of measurement. J.M. Parker’s characters visit a Canaanite arch in the crossfire of the Israel-Palestine conflict, juxtaposing the old silenced stones against today’s cacophony. In Singapore, Hsien Min Toh describes a ledger of donations towards funeral expenses, a written record that swallows its wordless grief. (Read more…)

SAND #21’s cover artist is Morgan Stokes (b. 1990), an Australian emerging artist. After a four month residency in Berlin in 2019 followed by a year long practice in Germany, he is now located back in Sydney. Stokes holds a Master of Design from the University of New South Wales. Understanding the internet as a place where past and future coexist in the present, Stokes’ works draw from our fraught relationship with technology, juxtaposing the nascent visual language of digital screens with the tradition of oil painting. Stokes fragments and blends forms and ideas in order to challenge and explore identity, digital anxiety and the new, technology-centric human condition. See more of Morgan’s work on his website.

2020 marks 10 years of publishing SAND, and we’re celebrating this milestone with a special “anthology” section in SAND #21, which revisits a few highlights of our past 20 issues. It’s wonderful to see how our past contributors’ careers have developed since they first submitted to SAND, from Momtaza Mehri, who became the Young People’s Poet Laureate for London, to Elvia Wilk, who published her debut novel, Oval, last year with Soft Skull Press and Saša Stanišić, who won the prestigious German Book Prize in 2019 for his novel, Origin (Herkunft). Momtaza, Elvia, and Saša’s contributions are all reprinted in the new issue.

Highlights of Lineup

 

Here were some of the highlights:

◦ Exclusive micro-readings from more than two dozen contributing poets, essayists, and fiction writers over the course of the weekend.

A few of the readers, clockwise from top left: Dženana Vucic, Gboyega Odubanjo, Zophia McDougal, Jeff Gu, and a masked billy cancel in the center.

◦ Artist talks, including a visit to the studio of our cover artist Morgan Stokes during Session 1 on Friday.

Visit to Morgan Stokes’s studio. (Painting on left: Man In Green II, 2020)

◦ On Friday, a short animation by Paulina Domínguez of Vikram Ramakrishnan’s story “Eggs,” which is published in the issue.

Still from Paulina Domínguez’s animation

◦ On Saturday, a panel discussion with SAND alumni editors from the past ten years, including our founder Becky L. Crook, reflecting on how we got here. How do you build a “SAND castle”? What makes an independent literary organization last?

An earlier cohort of the SAND team on a retreat in 2011

◦ On Sunday, a feature where our editors and contributors meet “face to face” and discuss their mutual experiences of the publishing process. This part will be just as exciting for our editors, but also for writers and artists who are curious for a look behind the scenes.

◦ Experimental folk rock by Landers and an acoustic set from flora falls, both based in Berlin.

And even more.

10th Anniversary & SAND 21 Launch Read More »

As part of SAND‘s online 10th anniversary festival in May 2020, our SAND 21 cover artist, Morgan Stokes, gave a virtual tour of his studio and spoke with SAND Art Editor Ruhi Parmar Amin.

In the studio tour and interview videos, Morgan discusses oil painting, practicing in both Berlin and Sydney, publishing in indie print journals like SAND, and the ways in which digital screens mediate and manipulate our view of ourselves and the world, often making us unwitting commodities, among other topics. 

Watch the videos here, and find more readings, interviews, and the like on SAND’s YouTube channel.

Morgan Stokes (b. 1990) is an artist from Australia based in Berlin and Sydney. He holds a Master of Design from the University of New South Wales. Understanding the internet as a place where past and future coexist in the present, Stokes’ works draw from our fraught relationship with technology, juxtaposing the nascent visual language of digital screens with the tradition of oil painting. Stokes fragments and blends forms and ideas to challenge and explore identity, digital anxiety and the new, technology-centric human condition.

Morgan Stokes: SAND 21 Cover Artist Read More »

Ivan Akhmetyev is a native and resident of Moscow. He is the author of five poetry collections, and his work has been translated into thirteen languages. Since the early 1990s, he has been engaged in publishing classics of underground literature from the Soviet era. He has also co-edited anthologies of modern Russian poetry. He is curator of the Anthologies of Informal Poetry network, and in 2013 was awarded the Andrei Bely Prize.

Megan Archer was born in Dunedin, New Zealand and is currently based in Auckland. After gaining her BFA in 2010, she spent seven years exhibiting abroad in London and Berlin. Her current practice includes oil painting, collage, and illustration. Archer has exhibited widely in solo and group exhibitions in cities such as Auckland, Berlin, and Melbourne. She is currently represented by {Suite} Gallery in Wellington.

Larry Brown lives in Brantford, Ontario, Canada. His story collection TALK was published by Oberon Press, and he recently completed his new story collection KURTIN. He teaches writing workshops throughout Ontario.

Sinejan Kiliç Buchina earned an MA from City University and a BFA from Marmara University and has received the Connor Fellowship, the Light Space & Time award, and a P.E.O. Education Grant. She has exhibited her work throughout the US and in Europe, including Walter Meade Gallery, NY (2020), Amos Eno Gallery, NY (2019), The Every Women Biennial, NY (2019), Artist Depot, London (2019). She currently lives and works in Brooklyn.

Casper Cammeraat has been into photography for over forty-five years. Of his work, he says: “I am inspired by landscapes, people, structures, abstractions, that are beautiful, exciting or moving. Those images I want to keep and share with other people: because they help to remember the magnificent miracle to be human on earth. Not as a missionary, but as a witness.”

billy cancel is a Brooklyn based poet/performer. His collection MOCK TROUGH RASPING CROW (BlazeVOX Books) was published in 2018. His poetry has been published in Boston Review, PEN America, and Bombay Gin, amongst many others. With Thursday Fernworthy (Lauds) he makes up the noise/pop band Tidal Channel. Links aplenty at billycancelpoetry.com.

Becky L. Crook is a writer and literary translator with works appearing in Freeman’s, Granta, Guernica and others. She has degrees in linguistics and theology. In 2010, she founded SAND in Berlin. She currently lives with her family on Bainbridge Island. She has just finished writing her first novel.

Natalie Crick has poems published or forthcoming in Stand, Poetry Salzburg Review, Orbis, The Moth, Banshee and elsewhere. She is studying for an MPhil in creative writing at Newcastle University. Her poems have been nominated for The Pushcart Prize twice, shortlisted for The Anthony Cronin International Poetry Award 2018, commended in the 2019 Hippocrates Open Awards for Poetry and Medicine and the Verve Poetry Festival Competition 2020, and chosen as a runner-up in the PBS & Mslexia Women’s Poetry Competition 2018. 

Carrie Crow is a fine-art photographer whose work has been exhibited internationally at the Queens Museum of Art, Newspace Center for Photography, Curious Matter, Streit House Space, FIDM a Paris Mairie IX, Kunst Altonale Hamburg, and Galleria Perela during the 54th and 56th Venice Biennales. Her work has also appeared in literary and arts publications such as 3:AM Magazine, Upstairs at Duroc, and Versal 12. Her first zine The Quiet Zoo was published by Streit House Editions in 2017.

Uttaran Das Gupta is a New Delhi-based journalist and writer. He has published a book of poems, Visceral Metropolis (i write imprint, 2017), and a novel, Ritual (Pan Macmillan India, 2020). He teaches journalism.

Allison A. deFreese has previously translated works by Luis Chitarroni, Amado Nervo, and other Latin American writers. Her writing and literary translations have appeared in 60 magazines and journals, including: Asymptote; Solstice; The New York Quarterly, Quick Fiction and Southwestern American Literature. An English translation of Maria Negroni’s book Elegía Joseph Cornell/Elegy for Joseph Cornell is forthcoming in 2020 from Dalkey Archive Press.

Tishani Doshi is a poet, writer, and dancer born in Madras, India. She currently performs internationally with the Chandralekha group. A freelance journalist, her work has appeared in newspapers such as the Guardian, the National, and the Hindu. She writes a regular column for New Indian Express and was a finalist in the Outlook/ Picador India Non-Fiction Competition. Her first book of poetry, Countries of the Body (2006), won a Forward Prize for Best First Collection. Doshi’s first novel, The Pleasure Seekers (2010), was shortlisted for the Hindu Best Fiction Award and has been translated into several languages. Her latest novel is Small Days and Nights (W. W. Norton, 2020). Her honours and awards include an Eric Gregory Award and an All-India Poetry Prize.

Mikaël Fälke’s work is about pure lines, contrast, and aesthetics. In colours or in black and white, he searches for motives in the most common places. Mikael lived in Berlin a few years ago and captured the city in all its (architectural) aspects. In former East Berlin, he pictured the strong visual identity of Plattenbauten, an unfairly despised form of habitat.

Ari Feld has returned to northern Minnesota after living on the east and west coasts of North America and in cities in Western Europe. He teaches writing studies and literature classes at the University of Minnesota, Duluth.

David Felix is a youthful septuagenarian English visual poet who lives in Denmark. For more than half a century his writing has taken on a variety of forms, in collage, three dimensions, in galleries, anthologies, festival performances, video, and in over fifty publications worldwide, both in print and online. Born into a family of artists, magicians, and tailors he is no stranger to a still life with apples, the dollar bill inside a lemon, and a fruit cocktail dress.

SJ Fowler works in poetry, fiction, theatre, film, photography, visual art, sound art, and performance. He has published seven collections of poetry, four of artworks, and five of collaborative poetry, plus volumes of selected essays and collaborations. He has been commissioned by the Tate Modern, BBC Radio 3, the Whitechapel Gallery, the Tate Britain, the London Sinfonietta, the Wellcome Collection, and the Liverpool Biennial.

Brad Garber has degrees in biology, chemistry, and law. He writes, paints, draws, photographs, and hunts for mushrooms and snakes in the Great Northwest of the US. Since 1991 he has published poetry, magazine articles, essays and weird stuff in such publications as EDGE, Pure Slush, On the Rusk, Sugar Mule, Third Wednesday, Barrow Street, Black Fox Literary Magazine, Barzakh, Five:2:One, Ginosko, Vine Leaves Press, Riverfeet Press, Smoky Blue Literary and Arts Magazine, Aji Magazine, and other quality publications. He is a 2011, 2013, and 2018 Pushcart Prize nominee.

Courtney Garvey is a poet and fiction writer from Massachusetts, where she studied creative writing, history, and European cultural studies at Brandeis University. Her work has appeared in Peach, The Emerson Review, Blacklist, and Laurel Moon.

Kyriaki Goni is an Athens-born and-based artist and educator. Working across media, she creates expanded and multi-layered installations. She connects the local and the global by critically touching on subjects such as privacy, networks, ecosystems and infrastructures, and the human-machine relationship. She presents work in solo and group shows, and is a Delfina Foundation alumna (2019).

Robin Gow is a queer poet and young adult author. They are the author of Our Lady of Perpetual Degeneracy (Tolsun Books, 2020) and the chapbook Honeysuckle (Finishing Line Press, 2019). Their poetry has recently appeared in Poetry, Washington Square Review, and Bellevue Literary Magazine.

Jeff Gu is from Toronto but now lives in the UK. He studied Spanish, Arabic, and cultural studies in his undergrad before his current master’s in musicology. When he isn’t playing rugby, ukulele, or video games, he’s either napping or trying to convince the world that it’s better than sleep.

Ellen Joan Harris has a MA in creative and life writing from Goldsmiths College, London. She’s currently working on her first novel.

Kiên Hoàng Lê is a freelance photographer living in Berlin, working for major publications in Germany and abroad. He has a BA in Advanced Visual Storytelling at the Danish School of Media and Journalism and studied photography at the University of Applied Sciences, Hannover. He is a founding member of CARTEL COLLECTIVE.

Lucy Jones translates literary fiction, art texts, plays, and journalism from German, including Ronald Schernikau, Silke Scheuermann, Annemarie Schwarzenbach, Brigitte Reimann, and Theresia Enzensberger. Forthcoming is her translation of Anke Stelling’s Schäfchen im Trockenen for Scribe Books. She lives in Berlin where she founded the collective Transfiction GbR and the Fiction Canteen reading series for LGBTQ* and PoC writers. Her own writing has been published in SAND #15, Visual Verse, Pigeon Papers, and 3:AM Magazine.

Rukmini Kalamangalam is a first-gen American page and performance poet from Houston, Texas, USA. She is a current sophomore at Emory University. In 2018, she was named Youth Poet Laureate of the Southwest as well as Houston Youth Poet Laureate. Her poem, “After Harvey,” was set to music by the Houston Grand Opera. She has been published by Jet Fuel Review, Blue Marble Review, Da Camera Museum, GASHER, and Tilde, among others.

Rachel Karyo’s short stories have appeared in Deep Cuts, Noctua Review, Liars’ League, Lumina Online, RipRap, Silent Auctions, Cease, Cows, Monster Mashup, and Belletrist. Rachel lives in Seattle, Washington, USA.

J. Kates is a poet and literary translator who lives in Fitzwilliam, New Hampshire.

Célestin Krier is an illustrator and graphic designer. He has studied at the Ecole Nationale Superieure des Beaux-Arts de Lyon. In his works, he combines archaic illustrations with predefined shapes and contours. Celestin is from France and currently lives in Berlin.

Nic Lachance is a cloud of effort approaching their Saturn return. queer, floating, femme baby, in love with loving, and believes whatever Oprah says. into what is gayest, what is god-est.

Fabrice Le Nézet is a French director and designer based in London. He creates series of sculptural forms inspired by architecture and childhood. Recognisable in his work is a pure, clean and graphical aesthetic, combined with playful qualities. His work is organised in collections, where each piece is designed as a standalone structure, as well as an element of a wider aesthetic family, following predefined rules and sharing common attributes. In his research, Fabrice tries to synthesize concepts to create some sort of visual writing that can be developed into sculptures, films, prints and installations.

Liang Yujing grew up in China and is currently a PhD candidate at Victoria University of Wellington, New Zealand. His recent books of translation include Zero Distance: New Poetry from China (Tinfish Press, 2017) and Dai Weina’s Loving You at the Speed of a Snail Traveling around the World (Cold Hub Press, 2018).

Ba Ling, pen name of Yang Fei, is a Chinese poet born in 1980. His poems and short stories have appeared in a number of Chinese magazines and anthologies. He is the recipient of the third Breakthrough Poetry Award and works as a high school teacher in Suzhou, Anhui Province, China.

Laia Llobera i Serra is a Catalan poet, translator and literary critic. She is the author of the collections Cicles (Publicacions de la UAB, 2009), Més enllà dels grills (La Comarcal Edicions, 2011), Certesa de la llum (LaBreu Edicions, 2014), Boscana (Lleonard Muntaner Editor, 2018) and Llibre de revelacions (LaBreu Edicions, 2020). In recognition of her work, she has received various awards including the Pare Colom Mediterranian Poetry Prize and the Maria Oleart Prize. Her poems have been featured in several anthologies, including Mig segle de poesia catalana: del Maig del 68 al 2018 (Proa, 2018) and has been translated into Italian, English and Spanish.

Javier Lozano’s work focuses mostly on comics, music, and painting. As a musician, he has been part of Nix Neues, Arctic Drilling, and Remanso. As a painter, he has participated in several exhibitions, having compiled some of them in the book “DEMONS” (Frac de Medusas, 2017). As a comic creator, he has selfpublished many zines with comics or drawings and two big books: Welcome (Belleza Infinita, 2016) and Ser Amado (Fulgencio Pimentel, 2019).

Inger Wold Lund is a writer and artist based in Berlin. Lund is educated at the Oslo National Academy of the Arts; Konstfack, Stockholm; and Staatliche Hochschule fur Bildende Kunste, Frankfurt am Main. She is the writer of two books in her native Norwegian, published by Cappelen Damm and Flamme Forlag. A collection of her stories in English has been published by Ugly Duckling Presse. Recent exhibitions include Leviathan at Kunsthal Aarhus; The 6th Moscow International Biennale for Young Art and The 9th Norwegian Sculpture Biennial, Oslo.

Zophia McDougal is Petunia Meat; the Midwestern non-binary queer waving to you from behind the wheel of their Ford-F150 with a painted tailgate, and a sticker reading “Bernie2020.”. McDougal grew up in Missouri, surrounded by small towns and big-ish towns, cattle, corn, and interstate-70 commuters. They currently live and work in residency at the Osage Artists Community, as well as for the Maries-R2 School district as an artist, writer, open mic host, and paraprofessional.

Karla Marrufo Huchim holds a Doctorate in Hispanic-American literature from la Universidad Veracruzana. Her work has been recognized through several prestigious literary awards, including: the 2005-2007 National Wilberto Canton Award in playwriting, the XVI Jose Diaz Bolio Poetry Prize, and the 2014 National Dolores Castro in narration for her novel Mayo/May (Ayuntamiento de Aguascalientes, 2014). She received a fellowship from the Programa de Estímulo a la Creación y al Desarrollo Artístico en Yucatán, which resulted in the publication of her book Mérida lo invisible/Mérida the Invisible (published under the title Arquitecturas de lo invisible/Architecture of the Invisible in its second printing).

Ben McNutt is an artist from Kentucky who uses wrestling as subject matter for his work. For the past six years he has made photographs, billboards, drawings, videos, and most recently an illustrated colouring book. benmcnutt.com

Mateja Meded is an Alien from Mercury who was send to hack the system of the white western patriarchal world. She lives with her assistaent Hercule Poirot, who never pays rent and whose hair r all over Mateja‘’s flat in Berlin.

Momtaza Mehri is a poet, essayist and independent researcher. She is the winner of the 2019 Manchester Poetry Prize. Her work has been widely published in Granta, Artforum, Berkeley Poetry Review, and BOMB Magazine, amongst others. Her latest pamphlet, Doing the Most with the Least, was published by Goldsmiths Press in 2019.

Cole Meyer is pursuing an MFA in fiction at Florida State University. He is the managing editor at The Masters Review, and studied creative writing and classical humanities at the University of Wisconsin-Madison. His writing has been included in the Best Small Fictions anthology series and The Florida Review Online, SmokeLong Quarterly, and elsewhere. He lives in Tallahassee with his wife Emily and their dog and cat. More can be found at cole-meyer.com.

Thomas Mixon was a featured writer at Mass Poetry’s U35 reading series in Boston. His work has appeared in Rogue Agent, Plainsongs, Sweet Tree Review, and elsewhere.

Gboyega Odubanjo is a British- Nigerian writer born and raised in East London. His pamphlet, While I Yet Live, was published by Bad Betty Press in 2019. He is a Roundhouse Resident Artist.

J.M. Parker’s fiction has appeared in Callisto, Chelsea Station, Foglifter, Frank, Gertrude, ISLE, and Segue, among other journals, been reprinted in Best Gay Stories 2015, and nominated for a Pushcart Prize. His first novel, A Budget Traveler’s Guide to the Museums of Europe, was published in 2017 by Lethe Press. His volume of translated poetry, Blossoms in Snow: Austrian Refugee Poets in Manhattan, is forthcoming with the University of New Orleans Press. He lives in Salzburg, Austria, where he teaches creative writing and American studies.

Vikram Ramakrishnan is a Tamil- American writer who was born in Bangalore, India and grew up in Albuquerque, New Mexico. He is a graduate of the University of Pennsylvania, where he studied physics, mathematics, and computer science. His writing has appeared or is forthcoming in Newfound, Atlas and Alice, and AE: The Canadian Science Fiction Review. He lives in New York City.

Jessica Anne Robinson is a Toronto writer. She has published poetry with Hart House Review, The Anti-Languorous Project, and Room Magazine, among others. She loves virtual farming and making collages. You can find her anywhere @hey_jeska.

Stefanie F. Scholz was born in 1983 in Japan, grew up in Australia, and now lives and works in Berlin. She studied drawing and printmaking at the University of Fine Arts in Berlin as well as the Accademia di Belle Arti in Bologna and received her diploma in 2012. After completing her studies, she illustrated several books, worked for newspapers and magazines, and began a series of computer cut-outs. The textures and rich colour palette she uses in her work are vibrant with modernist and architectural touches.

Fakoyede Seun is a Nigerian writer and teacher. He received a MSc in Functional Analysis from the University Of Ibadan, Nigeria in 2015. His poems have recently appeared or are forthcoming in Stoneboat Literary Journal, Five2One Magazine Online, and The Borfski Press. He is @ seunfax on Twitter.

Kyle Snyder is a technical writer living in Cleveland, Ohio, USA with his partner and four cats. He studied English, creative writing, and TEFL at Kent State University. His poetry has been featured in The Bastard’s Review and the tiny journal and will be published in an upcoming issue of The Westchester Review.

Waverly SM is a writer living in Oxford, England. They write about apocalypses, impossible questions, ambivalent universes, fraught queer romances, and the ambient trauma of living in the world. They’re a 2019 Lambda Literary Fellow by way of the Writers’ Retreat for Emerging LGBTQ Voices, where they were mentored by Benjamin Alire Saenz. Their preferred non-literary pursuits include contemplating the ocean, gazing enigmatically into the middle distance, and single-player gaming. Find them on Twitter @waverly_sm, or via their website waverlysm.com.

Marcus Speh is a German writer and professor. Born in 1963, he trained as a particle physicist, contributed to the development of the World Wide Web, and writes in English and German. Widely published, his stories have been nominated for a Micro Award, two Pushcart Prizes, two Best of the Net awards and two Million Writers Awards, and he was longlisted for the Paris Literary Prize. His collection of short fiction, Thank You For Your Sperm was published in 2013 by MadHat Press. His novel Gisela was published by Folded Word Press in 2017. Marcus lives in Berlin and blogs at marcusspeh.com.

Sasa Stanisić was born in Yugoslavia and lives in Germany. A writer of fictions, his latest novel, Herkunft (Luchterhand, 2019), was the winner of the German Book Award 2019.

Morgan Stokes is an artist from Australia based in Berlin and Sydney. He holds a Master of Design from the University of New South Wales.

Scott Strom is a poet and playwright from Chicago, Illinois, currently attending Columbia College Chicago. His work has been featured in the Columbia Poetry Review, Into the Void, streetcake magazine, and is forthcoming in peculiar: a queer literary journal.

Ambika Thompson is a writer, musician, and parent. Her favourite colour is rainbow and she has a black cat that is a witch. She has been published in several international publications including Electric Literature, Riddle Fence, Crab Fat Magazine, Fanzine, and has a story forthcoming in Joyland. She has been in several amazing bands that nobody’s heard of such as The Anna Thompsons, Tschikabumm, The Honky Twats, and Razor Cunts. She is the founder and managing editor of the literary journal Leopardskin & Limes, and has an MFA in creative writing from Guelph University. ambikathompson.com.

Hsien Min Toh has written four books of poetry, most recently Dans quel sens tombent les feuilles, a bilingual French-English selection published by Editions Caracteres in Paris in 2016. He lives in Singapore.

Dženana Vucic is a Bosnian-Australian writer, poet and editor. She has been published in Meanjin, Kill Your Darlings, Going Down Swinging, Australian Poetry Journal, Plumwood Mountain, Scum, the Australian Multilingual Writing Project, Rabbit, Lip Magazine, and Junkee.com. Her work has been shortlisted for the 2019 Deakin Nonfiction Prize.

Amie Robin Weiss lives near Brescia, Italy, where she works as a classical violinist and translator. She holds an MA in translation studies from the Universitat Pompeu Fabra (Barcelona) and works from Italian, Catalan, Spanish and French into English. She regularly collaborates with museums, art publishers, authors, music ensembles, performing artists, researchers, municipalities, and NGOs on translated texts. Previous poetry translations have been published by the Cordite Review.

Andrew Wells has been published with Fanzine, Poetry Wales, Minor Lit(s), 3:AM Magazine, and Amberflora, among others. His first pamphlet was J/W/U (PYRAMID Editions, 2016) and his next is SEALED (Hesterglock, 2020). He is co-editor of HVTN Press.

Siru Wen is a visual artist from Dalian, China. Her practice intersects between video installation, film, and photography. Siru’s video installation has received the Award of Excellence at the Larnaca Biennale and been exhibited at the Korean Cultural Center in Los Angeles. Her photography has been published internationally, including by the Aesthetica Art Prize. She was selected to participate in the Artists-in-Residence program in Bemis Center for Contemporary Arts and MASS MoCA.

Elvia Wilk is a writer and editor living in New York. Her first novel, Oval, was published by Soft Skull Press in 2019. She is currently a contributing editor at e-flux journal and a 2020 fellow at the Berggruen Institute.

Charlotte Wührer is a Berlin-based writer and translator from the West Midlands, UK. Her short fiction and poetry has appeared in Ellipsis Zine, Elsewhere: A Journal of Place, Leopardskin and Limes, Counter Service, and Former Cactus, among other publications. She has been shortlisted for the Cambridge Short Story Prize, the Mslexia Novel Award, and the Bristol Short Story Prize. She is currently working on a flash fiction novella.

Lizzy Yarwood is currently living in Berlin where she volunteers for Sea Watch, works in a restaurant and writes. She’s been making a zine about supermarkets and in her spare time likes sewing things, going for walks and swimming, and playing on her keyboard.

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